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A Chance to Harmonize

How FDR's Hidden Music Unit Sought to Save America from the Great Depression—One Song at a Time

ebook
1 of 1 copy available
1 of 1 copy available
The remarkable story of a hidden New Deal program that tried to change America and end the Great Depression using folk music, laying the groundwork for the folk revival and having a lasting impact on American culture.
In 1934, the Great Depression had destroyed the US economy, leaving residents poverty-stricken. First Lady Eleanor Roosevelt urged President Roosevelt to take radical action to help those hit hardest—Appalachian miners and mill workers stranded after factories closed, city dwellers with no hope of getting work, farmers whose land had failed. They set up government homesteads in rural areas across the country, an experiment in cooperative living where people could start over. To boost morale and encourage the homesteaders to find community in their own traditions, the administration brought in artists to lead group activities—including folk music.

As part of a music unit led by Charles Seeger (father of Pete), staffer Sidney Robertson traveled the country to record hundreds of folk songs. Music leaders, most notably Margaret Valiant, were sent to homesteads to use the collected songs to foster community and cooperation. Working almost entirely (and purposely) under the radar, the music unit would collect more than 800 songs and operate for nearly two years, until they were shut down under fire from a conservative coalition in Congress that deemed the entire homestead enterprise dangerously "socialistic."

Despite its early demise, the music unit proved that music can provide hope and a sense of belonging even in the darkest times. It also laid the groundwork for the folk revival that followed, seeing the rise of artists like Woody Guthrie, Pete Seeger, Odetta, and Bob Dylan.

Award-winning author and Harvard-trained American music scholar Sheryl Kaskowitz has had the unique opportunity to listen to the music unit's entire collection of recordings and examine a trove of archival materials, some of which have never been made available to the public.

A Chance To Harmonize reveals this untold story and will delight readers with the revelation of a new and previously undiscovered chapter in American cultural history.
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    • Publisher's Weekly

      Starred review from February 26, 2024
      Musicologist Kaskowitz (God Bless America) offers a spellbinding account of the New Deal’s Music Agency, a 1930s government project that aimed to foster solidarity among out-of-work Americans through folk music. Housed under the Resettlement Administration, which established cooperative homesteads across rural America for the unemployed, the unit was led by musicologist Charles Seeger (father of Pete), who deployed musician-agents (many of them women) to the homesteads. Along with their official morale-boosting work, these musicians recorded over 800 folk songs, which are kept today in the Library of Congress. Shut down after only two years, when conservative congressmen went after the entire Resettlement Administration, the Music Agency had been so careful to stay under the radar from the start—its agents marked their documents “confidential” to avoid scrutiny—that the project was inadvertently hidden from the historical record despite what Kaskowitz argues was its outsize impact on American culture: it bolstered spirits and succeeded, according to the author, in promoting solidarity, while also laying the groundwork for the coming folk music revival. Kaskowitz backgrounds the bureaucratic maneuvering and evolving ideology of the Music Agency—agents believed folk music could “bind the homesteaders into harmonious social units” and be a vehicle for leftist political awakening—with a sweeping on-the-ground narrative of the Great Depression’s hardest hit regions. It’s an exhilarating slice of American history.

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  • English

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