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The Diaspora Sonnets

ebook
1 of 1 copy available
1 of 1 copy available

LONGLISTED FOR THE 2023 NATIONAL BOOK AWARD FOR POETRY

For fans of Diane Seuss and Victoria Chang, a coruscating collection that eloquently invokes the perseverance and myth of the Filipino diaspora in America.

In 1972, after Ferdinand Marcos declared martial law, Oliver de la Paz's father, in a last fit of desperation to leave the Philippines, threw his papers at an immigration clerk, hoping to get them stamped. He was prepared to leave, having already quit his job and having exchanged pesos for dollars; but he couldn't anticipate the challenges of the migratory lifestyle he and his family would soon adopt in America. Their search for a sense of "home" and boundless feelings of deracination are evocatively explored by award-winning poet de la Paz in this formally inventive collection of sonnets.

Broken into three parts—"The Implacable West," "Landscape with Work, Rest, and Silence," and "Dwelling Music"—The Diaspora Sonnets eloquently invokes the perseverance and bold possibilities of de la Paz's displaced family as they strove for stability and belonging. In order to establish her medical practice, de la Paz's mother had to relocate often for residencies. As they moved from state to state his father worked to support the family. Sonnets thus flit from coast to coast, across prairies and deserts, along the way musing on shadowy dreams of a faraway country.

The sonnet proves formally malleable as de la Paz breaks and rejoins its tradition throughout this collection, embarking on a broader conversation about what fits and how one adapts—from the restrained use of rhyme in "Diaspora Sonnet in the Summer with the River Water Low" and carefully metered "Diaspora Sonnet Imagining My Father's Uncertainty and Nothing Else" to the hybridized "Diaspora Sonnet at the Feeders Before the Freeze." A series of "Chain Migration" poems viscerally punctuate the sonnets, giving witness to the labor and sacrifice of the immigrant experience, as do a series of hauntingly beautiful pantoums.

Written with the deft touch of a virtuoso and the compassion of a loving son, The Diaspora Sonnets powerfully captures the peculiar pangs of a diaspora "that has left and is forever leaving."

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    • Publisher's Weekly

      May 22, 2023
      The thoughtful latest from de la Paz (The Boy in the Labyrinth) explores his family’s experience of the Filipino diaspora. Following the 1972 declaration of martial law by Ferdinand Marcos, de la Paz’s father decided to leave the Philippines with his family, crossing the Pacific Ocean to the U.S. The collection’s opening poem conveys de la Paz’s early disorientation as the family began its peripatetic journey: “The streets of Marikina crammed/ behind my eye somewhere,/ or lost in pockets stuffed with crumbs/ of airplane crackers.” Many of these sonnets recount the family’s movement from town to town, mostly in the American West, often laboring as agricultural workers, and never quite finding a feeling of community. The struggle to create a home in exile is vividly rendered in poems that trace the family’s journeys over the decades: “We wanted to construct a livable world/ but the pieces didn’t fit.” This haunting collection sheds new light on the migrant’s experience of loss and longing.

    • Booklist

      June 1, 2023
      Traditionally, sonnets consist of 14 rhyming lines of 10 syllables each, but poets have long exploded the form to explore new possibilities. Born in the Philippines and raised in Oregon, de la Paz employs language both soft-spoken and surprising to elevate the sonnet in his sixth collection of poems. Taking an expansive view of the diasporic experiences of immigrants, de la Paz captures moments that are quietly striking, such as a father's purchase of chips for his son from an airport vending machine, but also those that clutch onto pain like a fist, ""Where there's a past, he lets it drive nails / into a tongue he holds back."" Other images are disarmingly domestic (chimney swifts occupying an attic create ""a roof with a choir""), and elsewhere de la Paz renders the everyday memorably odd, such as ""sheep // in their white suits passing through halls of glass."" An accomplished mid-career poet, de la Paz joins the likes of Diane Seuss and Laurie Ann Guerrero in pushing the sonnet's form into brilliant new shapes for today's readers.

      COPYRIGHT(2023) Booklist, ALL RIGHTS RESERVED.

    • Library Journal

      August 25, 2023

      This latest collection from de la Paz (after The Boy in the Labyrinth) evokes his family's experiences following his father's migration from the Philippines in the 1970s, when Ferdinand Marcos declared martial law. With sensuous detail, these poems examine family perspectives and summon places, from the seaside and orchards of Oregon to the airport and laundromat that shaped his family's life. Sonnets and occasional pantoums deftly explore the influence and uncertainties of immigration ("Father/ stamping out the past. It's what he does best./ Calls it self-care. You call it what you will"). Ultimately, the book crafts a nuanced and personal portrait of the complex idea and experience of home amid migration: the tension between leaving and remaking, memory and presence, obligation and survival, expectation and thereafter ("If there's a home for us, remember where we stand/ so we can return to it"). VERDICT Exciting in its combination of traditional form and accessibility, this collection offers a compassionate and poignant reflection on family in diaspora. Highly recommended.--Amy Dickinson

      Copyright 2023 Library Journal, LLC Used with permission.

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