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By Blood

Audiobook
1 of 1 copy available
1 of 1 copy available

An award-winning writer returns with a major, absorbing, atmospheric novel that takes on the most dramatic and profoundly personal subject matter.

San Francisco in the 1970s. Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother.

The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— "I have no idea what it means to say 'I'm a Jew'"—the patient finds her search stalled.

Armed with the few details he's gleaned, the professor takes up the quest and quickly finds the patient's mother in records from a German displaced-persons camp. But he can't let on that he's been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program.

With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

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    • Publisher's Weekly

      December 5, 2011
      Set in a politically roiling mid-1970s San Francisco, Ullman’s third novel (after The Bug) is a psychological thriller probing an uneasy, unwitting three-way relationship between a young lesbian, her German-born psychologist, and a voyeuristic academic. A disgraced 50-something classics professor, forced on academic leave pending an ethics investigation, rents office space next door to Dr. Dora Schussler, the daughter of a prominent Nazi, and finds himself entranced by her interactions with her patient, a lesbian economist in her 30s trying to make sense of her own adoption. The academic feels for the young woman, reflecting his own sense of not fitting in (an obsessive-compulsive, he has his own long history of analysis), and begins organizing his life around the patient’s visits, in time becoming convinced that Dr. Shussler is impeding her patient’s search. His empathy spurs him to research the patient’s adoption himself, after which he clandestinely sends her reports, leading them all through the harrowing melodrama of a German woman caught in the Holocaust before making her way to Israel. Though this is an irresistible Hitchcockian page-turner, brooding and solipsistic, it lands too softly and feels unfinished, considering Dr. Schussler’s inflammatory but untouched past. Agent: Jay Mandel, WME Entertainment.

    • Publisher's Weekly

      May 28, 2012
      From the opening line, “I did not cause her any harm. This was a great victory for me,” Malcolm Hillgartner uses quiet, deliberate narration to insinuate himself into the reader’s imagination. His thoughtful delivery makes even an innocuous sentence—“I followed the manager into the elevator and rode with him up to the eighth floor”—sound menacing, which is the perfect approach for Ullman’s psychological thriller set in 1970s San Francisco. The plot centers on an academic whose fall from grace leads him to an office in a seedy part of town. Although the professor plans to prepare a series of lectures, he soon finds himself obsessively eavesdropping on a psychotherapist and his patient in an adjacent office. This audio edition is anchored by Hillgartner’s steady narration, which carefully utilizes a limited range of inflections to maintain listener interest throughout. A Farrar, Straus and Giroux hardcover.

    • Library Journal

      June 1, 2012

      Circa 1970, a mentally shaky professor rents a workroom in San Francisco only to discover it adjoins a psychoanalyst's office. He becomes obsessed with eavesdropping on one patient--an adoptee seeking the Jewish mother who surrendered her after World War II. The therapy sessions unspool serially, rendering a complicated tableau of blood relationships, cultural identity, 1970s gay subculture, prewar Germany, and Nazi concentration camps. Ullman's previous novel, The Bug, was a New York Times Notable Book and runner-up for the PEN/Hemingway Award. Prize-winning narrator Malcolm Hillgartner slips seamlessly between male/female and American/German voices and projects the protagonist's mania with conviction. VERDICT Highly recommended for listeners who relish unpredictable, complex literature cast from a singular mold. ["The novel becomes a vehicle for heart-rending stories of the plight of Jews after the war," read the review of the New York Times best-selling Farrar hc, LJ 12/11.--Ed.]--Judith Robinson, Univ. at Buffalo

      Copyright 2012 Library Journal, LLC Used with permission.

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