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Shutterbabe

Adventures in Love and War

ebook
1 of 1 copy available
1 of 1 copy available
NATIONAL BESTSELLER • The remarkable memoir of an ambitious young photojournalist who went off to war as a twenty-two-year-old girl—and came back, four years and many adventures later, a woman

“Eloquent and well observed, not only about the memoirist, but about the world: war, death, photojournalism and, of course, the worldwide battle between the sexes.” —The Washington Post Book World

In 1988, fresh out of Harvard, Deborah Copaken Kogan moved to Paris with a small backpack, a couple of cameras, the hubris of a superhero, and a strong thirst for danger. She wanted to see what a war would look like when seen from up close. Naïvely, she figured it would be easy to filter death through the prism of her wide-angle lens.
        
She was dead wrong.
Within weeks of arriving in Paris, after begging to be sent where the action was, Kogan found herself on the back of a truck in Afghanistan, her tiny frame veiled from head to toe, the only woman—and the only journalist—in a convoy of rebel freedom fighters. Kogan had not actually planned on shooting the Afghan war alone. However, the beguiling French photographer she’d entrusted with both her itinerary and her heart turned out to be as dangerously unpredictable as, well, a war.
 
Kogan found herself running from one corner of the globe to another, each linked to the man she was involved with at the time. From Zimbabwe to Romania, from Russia to Haiti, Kogan takes her readers on a heartbreaking yet surprisingly hilarious journey through a mine-strewn decade, her personal battles against sexism, battery, and even rape blending seamlessly with the historical struggles of war, revolution, and unfathomable abuse it was her job to record.
In the end, what was once adventurous to the girl began to weigh heavily on the woman. Though she had finally been accepted into photojournalism’s macho fraternity, her photographs splashed across the front pages of international newspapers and magazines, Kogan began to feel there was something more she was after. Ultimately, what she discovered in herself was a person—a woman—for whom life, not death, is the one true adventure to be cherished above all.
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    • Publisher's Weekly

      January 1, 2001
      To pursue her dream to cover wars as a photojournalist, Kogan moved to Paris upon graduation from Harvard in 1988. Pretty and petite, with a sharp eye for good-looking, virile colleagues who, incidentally, could help her career, she embarked on a series of adventures that she breezily chronicles with a somewhat disingenuous na vet . Although her publisher compares her to Christiane Amanpour, readers may find more similarities with Candace Bushnell in these episodic vignettes describing both her far-flung assignments and intimate relationships with colleagues. She traveled with Pascal to Afghanistan and Pierre to Amsterdam; Julian helped her in Zimbabwe, but forbade further intimacies; Doru was with her in Romania. When she met Paul, her husband-to-be, Kogan's commitment to photojournalism waned: she blames her distaste on the wartime horrors she witnessed. Calling photojournalists vultures who feed on other people's misery, she conflates paparazzi with photojournalists, expressing disgust at their role in Princess Diana's fatal accident. Upon her return with Paul to the U.S., she began a new career as assistant producer for NBC's Dateline, which she eventually left to become a full-time mother. Kogan's swiftly paced story easily holds the reader's interest as she moves from her carefree days as an aspiring photojournalist to the responsibilities and dilemmas facing a working mother. First serial rights to Talk magazine in the February issue should boost interest in this sassy debut. First serial to Talk. Agent, Jennifer Rudolph Walsh at The Writers Shop.

    • Library Journal

      June 1, 2000
      Christiane Amanpour meets Melissa Banks! So says the publicist. Actually, Kogan is a top photojournalist who recounts her coverage of the world's hot spots while battling discrimination in the ranks.

      Copyright 2000 Library Journal, LLC Used with permission.

    • Booklist

      December 1, 2000
      " Hedonist," " thrill-seeker," and " collector of men" are just a few of the words Kogan pastes on herself in this exhibitionist memoir of her stint in international photojournalism. Born in 1966, and of late married and mothering in Manhattan, Kogan exercised her freedoms when in her early twenties, boldly decamping for Paris to freelance her way into the employ of Gamma, Magnum, or Contact. Thereafter she was hit by shrapnel in Afghanistan, knifed in Switzerland, and beaten by a lover in Pakistan. She ducked gunfire in Moscow, slept with numerous men, and in general led a high-risk lifestyle. She holds nothing back about the awful things done to her, or about her attraction to the social danger zones inhabited by strippers, heroin mainliners, rhino poachers, and guerrillas. With attitude, energy, and edge, she also records the chauvinistic world of photojournalism as she experienced it. Her account will elicit reactions ranging from censoriousness to approbation. But it seems meant to attract attention, as " Talk" magazine's decision to serialize it attests.(Reprinted with permission of Booklist, copyright 2000, American Library Association.)

    • Library Journal

      November 15, 2000
      Kogan graduated from college in 1988 and moved to Paris to find work as a photojournalist. Shutterbabe is an insightful account of what happened next. Divided into three sections, "Develop," "Stop," and "Fix," which are further divided into chapters--each named after a significant male in Kogan's life--the book centers around the author's adventurous travels, which offer a fascinating glimpse into the danger and excitement of observing wars and riots and the competition to take commercially appealing photographs. Kogan clearly describes the economic realities of photojournalism, the difficulty she had remaining removed from the tragedies she witnesses, how she adapted to a predominantly male profession, and the influence the presence of photographers can have on their subject. Her travels from Afghanistan to Romania reveal a life of excitement, danger, and self-awareness that is hard to put down. Recommended for all libraries. [Previewed in Prepub Alert, LJ 6/1/00.]--Alison Hopkins, Queens Borough P.L., Jamaica, NY

      Copyright 2000 Library Journal, LLC Used with permission.

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