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Passing

A Memoir of Love and Death

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In the tradition of The Year of Magical Thinking comes a legendary editor's unflinching love song about his radiant wife, Margaret, and her battle with cancer.

It was a warm April in Pleasant Valley when Margaret Korda, normally a fearless horsewoman, dropped her horsewhip while she was riding. Such a mild slip was easy to ignore, but when other troubling symptoms accumulated, she confided to her husband, "Michael, I think something serious is wrong with me." Within a few rapid weeks, the fiercely independent, former fashion model was diagnosed with brain cancer, while Michael, once reliant on her steeliness, became her caregiver, deciphering bewildering medical reports and packing her beloved toiletries for the hospital. An operation performed by a renowned surgeon allowed Margaret to ride her favorite competition horse Logan go Bragh a few more times, but Margaret's tumors quickly returned—leaving her to grapple with the reality of impending death. In rapturous prose, Korda, a modern- day Orpheus, braids her heroic story with heartrending details of their final year together. Passing, a tender memoir, is a testament to the transcendent possibilities of love.

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    • Kirkus

      August 1, 2019
      A devoted husband bears witness to his wife's final illness. Retired Simon & Schuster editor-in-chief Korda (Alone: Britain, Churchill, and Dunkirk: Defeat Into Victory, 2017, etc.) offers a sensitive and absorbing chronicle of his wife's death from cancer a year after she was diagnosed with a brain tumor. Joining a growing genre about death and dying that includes Sherwin Nuland's How We Die and Atul Gawande's Being Mortal, Korda's memoir is both a celebration of his 45-year marriage to his "lover, companion, and best friend" and a cleareyed account of the benefits and limits of medical intervention. Until she was stricken with brain cancer, Margaret Korda seemed invulnerable: a strong, athletic woman who loved the outdoors, rode horses competitively to win five national championships, and, even at the age of 79, retained the beauty and "perfect posture of the fashion model she once had been." Yet although she was remarkably healthy, the author discloses that she took an assortment of medications to treat depression and anxiety. "She was a perfectionist," he writes, "hard on herself, she worried about aging, losing her looks, what she would do with herself if she had to give up riding." Her fears made her wary of doctors, which is why, when she noticed a patch on her cheek, she covered it with makeup rather than have it removed and biopsied. By the time she agreed to remove it, the cancer had begun to spread. After the diagnosis of her brain tumor, Korda took it upon himself to find out as much as he could about the illness and treatment, devouring cancer sites on the internet and parsing medical information, hoping it would help him support Margaret's treatment. Despite finding an excellent, caring neurosurgeon, the author "struggled with alarm and despondency as I read about what lay in store for Margaret." He chronicles in detail her yearlong experience of surgeries, therapy, decline, and decision-making as the two learned the extent of her illness and, finally, abandoned "hope, illusions, [and] faith in miracles." A compassionate chronicle of a couple's last year.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      Starred review from September 23, 2019
      Novelist and former Simon & Schuster editor-in-chief Korda (Clouds of Glory) delivers a heartfelt look at his wife, Margaret, who was diagnosed with brain cancer a year before she died at age 79. This intimate memoir is both a tribute to their 45-year marriage—during which they had been “each other’s lover, companion, and best friend”—and an account of how looking “after someone who is dying gradually fills one’s life to the exclusion of everything else” with “no manual that tells you what to do, what to expect, what to tell the person who’s dying.” Korda’s account of Margaret’s medical treatments—surgery, radiation, and rehabilitation—is made all the more striking as he details her lifetime of physical fitness, including riding horses competitively (and winning five national championships). He sensitively describes how Margaret’s “present was becoming unbearable at a quickening rate” though he concludes that in the end her eyes showed not resignation but “perhaps even gratitude” that “the struggle was coming to an end.” Lovingly told, Korda’s memoir movingly captures the complexities of dealing with the death of a loved one.

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