Error loading page.
Try refreshing the page. If that doesn't work, there may be a network issue, and you can use our self test page to see what's preventing the page from loading.
Learn more about possible network issues or contact support for more help.

How Do We Look

The Body, the Divine, and the Question of Civilization

Audiobook
1 of 1 copy available
1 of 1 copy available
From prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as a gorgeously illustrated accompaniment to "How Do We Look" and "The Eye of Faith," the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made?whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers? to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark
  • Creators

  • Publisher

  • Release date

  • Formats

  • Languages

  • Reviews

    • AudioFile Magazine
      Author and narrator Mary Beard takes the listener on an worldwide tour of human and divine representation in art throughout history. Beard's style is reminiscent of a classroom lecture or the audio track of a documentary. Her command of her subject is obvious in her authoritative but casual approach. While her narration is sometimes marked by the slight hoarseness of a dry throat, the effect is personable rather than distracting. The major weakness of the audiobook is simply that it can be difficult to understand the style and effect of art when you can't see it. Listeners may find that, despite a generous amount of description, the extensive illustrations of the print version are sorely missed in the audio production. N.M. © AudioFile 2018, Portland, Maine
    • Publisher's Weekly

      June 11, 2018
      Beard (Women & Power: A Manifesto) examines how people historically have interpreted art in this disjointed two-part narrative. Part one looks at depictions of the body in ancient art from around the world, including an enormous 3,000-
      year-old stone head that sits in a jungle in Mexico and ancient Chinese emperor Qin’s tomb in China. In Greece, the sculpted, well-toned male body in statuary and painted pottery images of women performing domestic tasks convey a message about ideal living, which Beard likens to advertisements of the 1950s. Part two focuses on depictions of the divine in art as they appear in the Hindu temple at Angkor Wat in Cambodia; cave art at Ajanta, India; a mosaic of Jesus at the Church of San Vitale in Ravenna, Italy; the Sancaklar Mosque in Istanbul; and elaborately illustrated Jewish Bibles that have sparked “human controversy and conflict, peril and risk.” Beard’s clear and often witty prose is on full display and, as usual, her book is filled with historical detail, but the two sections fail to come together. There are enough intriguing morsels to satisfy longtime fans of Beard, but the book as a whole feels underdeveloped. Illus. and photos.

Formats

  • OverDrive Listen audiobook

Languages

  • English

Loading