From those who are the masters of their craft (Eudora Welty, Lynn Fontanne, Penelope Fitzgerald, Marie Curie) to those who were recognized in a burst of acclaim (Lorraine Hansberry, Zadie Smith) . . . from Clara Schumann and Shirley Jackson, carving out small amounts of time from family life, to Isadora Duncan and Agnes Martin, rejecting the demands of domesticity, Currey shows us the large and small (and abiding) choices these women made—and continue to make—for their art: Isak Dinesen, "I promised the Devil my soul, and in return he promised me that everything I was going to experience would be turned into tales," Dinesen subsisting on oysters and Champagne but also amphetamines, which gave her the overdrive she required . . . And the rituals (daily and otherwise) that guide these artists: Isabel Allende starting a new book only on January 8th . . . Hilary Mantel taking a shower to combat writers' block ("I am the cleanest person I know") . . . Tallulah Bankhead coping with her three phobias (hating to go to bed, hating to get up, and hating to be alone), which, could she "mute them," would make her life "as slick as a sonnet, but as dull as ditch water" . . . Lillian Hellman chain-smoking three packs of cigarettes and drinking twenty cups of coffee a day—and, after milking the cow and cleaning the barn, writing out of "elation, depression, hope" ("That is the exact order. Hope sets in toward nightfall. That's when you tell yourself that you're going to be better the next time, so help you God.") . . . Diane Arbus, doing what "gnaws at" her . . . Colette, locked in her writing room by her first husband, Henry Gauthier-Villars (nom de plume: Willy) and not being "let out" until completing her daily quota (she wrote five pages a day and threw away the fifth). Colette later said, "A prison is one of the best workshops" . . . Jessye Norman disdaining routines or rituals of any kind, seeing them as "a crutch" . . . and Octavia Butler writing every day no matter what ("screw inspiration").
Germaine de Staël . . . Elizabeth Barrett Browning . . . George Eliot . . . Edith Wharton . . . Virginia Woolf . . . Edna Ferber . . . Doris Lessing . . . Pina Bausch . . . Frida Kahlo . . . Marguerite Duras . . . Helen Frankenthaler . . . Patti Smith, and 131 more—on their daily routines, superstitions, fears, eating (and drinking) habits, and other finely (and not so finely) calibrated rituals that help summon up willpower and self-discipline, keeping themselves afloat with optimism and fight, as they create (and avoid creating) their creations.
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Creators
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Publisher
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Release date
March 5, 2019 -
Formats
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OverDrive Listen audiobook
- ISBN: 9781984886699
- File size: 229450 KB
- Duration: 07:58:01
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Languages
- English
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Reviews
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AudioFile Magazine
Narrator January LaVoy uses her ample vocal talents to deliver powerful stories of mostly well-known female artists and performers, specifically, how these women managed their day-to-day lives while keeping their creative sides alive and thriving. These often emotional stories and brief biographies are strengthened by LaVoy's careful narration. Her pacing captures the humor in some of the anecdotes, and she moves just as smoothly through the tragic sections. Overall, LaVoy sounds like a good friend telling stories about people she knows personally. This inspirational collection is a great pick-me-up for listeners who feel that their daily tasks interfere with leading a creative life. V.B. © AudioFile 2019, Portland, Maine -
Publisher's Weekly
May 6, 2013
Succinct descriptions of artistic temperament and practice provide the material for this entertaining, if repetitive, collection. Currey catalogues well over 100 writers, thinkers, and artists, with most given roughly a page of text describing the details of their routines, often rooted in a quote from journals or interviews. The specifics and the dispositions vary wildlyâwhile Marcel Proust would wake around four in the afternoon, smoke opium and drink coffee, and then work late into the evening with barely a bite to eat, there are as many figures, like Ernest Hemingway or Georgia O'Keeffe, who completed their work in the dawn hours and left the rest of the day for other pursuits. The rigorous lists (and staggering amounts) of chemicals ingested and the exacting workday hours are interesting, although the real treasures are to be found in the bizarre beliefs that undergird the strange practices of many artists. The included thinkers are almost without exception white Europeans and Americans and predominantly male, which limits the scope and increases the sense of monotony. There are enough moments of insight and entertainment, however, to keep this routine of routines engaging. Illustrations.
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