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A Song for the River

Audiobook
2 of 2 copies available
2 of 2 copies available

From one of the last working fire lookouts comes this sequel to the award-winning Fire Season―a story of calamity and resilience in the world's first wilderness.

A dozen years into his dream job keeping watch over the Gila National Forest of New Mexico, Philip Connors bore witness to the blaze he had always feared: a megafire that forced him off his mountain by helicopter and forever changed the forest and watershed he loved. It was one of many transformations that arrived in quick succession, not just fire and flood but the death of a fellow lookout in a freak accident and a tragic plane crash that rocked the community he called home.

Beginning as an elegy for a friend he cherished like a brother, A Song for the River opens into a chorus of voices singing in celebration of a landscape redolent with meaning―and the river that runs through it, whose waters are threatened by a potential dam.

The ways of water and the ways of fire, the lines tragedy carves on a life, the persistent renewal of green shoots sprouting from ash: these are the subjects of A Song for the River. Its argument on behalf of things wild and free could not be more timely; the goal is nothing less than permanent protection for that rarest of things in the American West, a free-flowing river―the sinuous and gorgeous Gila.

It must not perish.

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    • Publisher's Weekly

      Starred review from July 9, 2018
      This slim but potent volume of essays from Connors (Fire Season) beautifully examines themes of fire and water, life and death, and wonder and grief in the Gila Wilderness of New Mexico. Connors begins with a litany of suffering—his own and his friends’—from disease, divorce, wildfire, and deaths. Among the last, Connors writes about John, a fellow fire lookout, who died when his horse slipped off a mountain path and fell on him, and three teens (including Ella Jaz, an advocate for an undammed Gila River) who died in a small-plane crash. As Connors tells of these deaths and the ways in which he honors them (Jaz’s death led him to get involved in her cause), he also tells of his own physical hurts and of Mónica, the woman who relieved his pain and became his wife. His sumptuous descriptions of the Gila’s natural wonders, from a lone mountain tree frog to roaring wildfires, enliven the entire work, as do his skillful turns of phrase and pointed observations (“Each of us, in the wake of a bullet’s destruction, had checked into the guilt suite at the Hotel Sorrow and re-upped for a few hundred weeks”). This powerful work belongs with the classics of the nature writing genre and is equally important as a rumination on living and dying.

    • AudioFile Magazine
      Narrator Adam Verner seems miscast in his reading of essayist Philip Connors's dark memoir. Part elegy, part lamentation, part catalogue of ailments, this audiobook seems less a song than a requiem. Verner's reading style--airy and hopeful--is at odds with the seriousness of the content. Connors writes evocatively of his recently deceased friends, his lonely education as a forest fire lookout, and a tragic plane crash that killed students from the Aldo Leopold Charter School in Silver City, New Mexico. He also describes his personal trials: physical (his hip replacements and prostate disease) and emotional (his recent divorce) with restraint. He is a serious critic of the state of the republic and a champion of environmental issues, the Gila River especially. A different narrator was needed. A.D.M. © AudioFile 2018, Portland, Maine

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Languages

  • English

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