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Cultural Amnesia

Necessary Memories from History and the Arts

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2 of 2 copies available
2 of 2 copies available

"I can't remember when I've learned as much from something I've read—or laughed as much while doing it." —Jacob Weisberg, Slate

This international bestseller is an encyclopedic A-Z masterpiece—the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.

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    • Publisher's Weekly

      Starred review from January 22, 2007
      From Anna Akhmatova to Stefan Zweig, Tacitus to Margaret Thatcher, this scintillating compendium of 110 new biographical essays plumbs the responsibilities of artists, intellectuals and political leaders. British critic James (Visions Before Midnight
      ) structures each entry as a brief life sketch followed by quotations that spark an appreciation, a condemnation or a tangent (a piece on filmmaker Terry Gilliam veers into a discussion of torturers' pleasure in their work). Sometimes, as in his salute to Tony Curtis's acting or his savage assault on bebop legend John Coltrane's penchant for "subjecting some helpless standard to ritual murder," James's purpose is just bravura opinionating. But most articles are linked by a defense of liberal humanism against totalitarianisms of the left and right—and ideologues who champion them. He lionizes prewar Vienna's martyred Jewish cafe intellectuals; castigates French apologists for communism—especially Sartre, who "could sound as if he was talking about everything while saying nothing"; and chides Borges for not noticing Argentina's descent into fascism. This theme can grow intrusive; even in an entry on children's author Beatrix Potter, he feels called upon to denounce Soviet children's books. But James's brilliantly aphoristic prose, full of aesthetic insights but careful not to let aesthetics obscure morality, makes for a delightful browse suffused with a potent message. Photos.

    • Library Journal

      February 1, 2007
      Philip Hodgins Memorial Medal winner James, who has published numerous books of criticism, autobiography, and poetry, presents his life's work in this resource guide covering what the author has learned as well as what he has failed to learn in his decades of writing about history and the arts. In more than 107 original essays organized by quotations from A to Z, James discusses some of the great thinkers, artists, humanists, and politicians who have shaped the 20th century, e.g., talk-show host Dick Cavett, psychoanalyst Sigmund Freud, jazz musician Louis Armstrong, and novelist F. Scott Fitzgerald. Preceding each essay is a brief biography of the luminary. Throughout, James states that we need a universal humanism and questions how to get it. His finely written, valuable, and comprehensive almanac, illustrated with 110 photographs, is highly recommended for public and academic libraries.Susan McClellan, Avalon P.L., Pittsburgh

      Copyright 2007 Library Journal, LLC Used with permission.

    • Booklist

      Starred review from March 1, 2007
      " As of This Writing" (2003) showcased the range and brilliance of James' criticism. In this towering volume, the fruit of 40 years of passionate involvement, James proves to be a consummate writer of biographical essays. Motivated by concern that we are losing track of the great thinkers and creators of the last century and forgetting the true nature of humanism, the force that "makes civilization civilized," James explicates the accomplishments of more than 100 seminal artists, writers, composers, and philosophers. The dream capital of James' republic of culture is Vienna during the heyday of cafe society, and his guiding light is the Viennese polymath Egon Friedell (1878-1938). James' remembrance of his hero is at once electrifying and profoundly moving, and so it is throughout this magnificent, soulful, and unpredictable assemblage. Where else might a reader come upon side-by-side considerations of Albert Camus and Dick Cavett? Coco Chanel and Charlie Chaplin? James also writes incisively and entertainingly of Miles Davis, Erik Satie, and Beatrix Potter. His knowledge is encompassing, his interpretations provocative. James not only preserves culture and nurtures humanism but also revitalizes the beauty and power of the English language.(Reprinted with permission of Booklist, copyright 2007, American Library Association.)

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  • English

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