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The Thief-Taker Hangings

How Daniel Defoe, Jonathan Wild, and Jack Sheppard Captivated London and Created the Celebrity Criminal

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1 of 1 copy available
1 of 1 copy available

After the Glorious Revolution, a not so glorious age of lawlessness befell England. Crime ran rampant, and highwaymen, thieves, and prostitutes ruled the land. Execution by hanging often punished the smallest infractions, and rip-roaring stories of fearless criminals proliferated, giving birth to a new medium: the newspaper. In 1724, housebreaker Jack Sheppard—a "pocket Hercules," his small frame packed with muscle—finally met the hangman. Street singers sang ballads about the Cockney burglar because no prison could hold him. Each more astonishing than the last, his final jailbreak took him through six successive locked rooms, after which he shimmied down two blankets from the prison roof to the street below. Just before Sheppard swung, he gave an account of his life to a writer in the crowd. Daniel Defoe stood in the shadow of the day's literati—Swift, Pope, Gay—and had done hard time himself for sedition and bankruptcy. He saw how prison corrupted the poor. They came out thieves, but he came out a journalist. Six months later, the author of Robinson Crusoe and Moll Flanders covered another death at the hanging tree. Jonathan Wild looked every bit the brute—body covered in scars from dagger, sword, and gun, bald head patched with silver plates from a fractured skull—and he had all but invented the double-cross. He cultivated young thieves, profited from their work, then turned them in for his reward—and their execution. But one man refused to play his game. Sheppard didn't take orders from this self-proclaimed "thief-taker general," nor would he hawk his loot through Wild's fences. The two-faced bounty hunter took it personally and helped bring the young burglar's life to an end. But when Wild's charade came to light, he quickly became the most despised man in the land. When he was hanged for his own crimes, the mob wasn't rooting for Wild as it had for Sheppard. Instead, they hurled stones, rotten food, and even dead animals at him. Defoe once again got the scoop, and tabloid journalism as we know it had begun.

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    • Publisher's Weekly

      Starred review from July 14, 2014
      Skirboll (The Pittsburgh Cocaine Seven) masterfully weaves the captivating stories of three Englishmen and how one’s newspaper coverage of the other two “birthed a genre.” Most readers will recognize Daniel Defoe as the author of Robinson Crusoe, but he also started one of the first newspapers in England and was deemed the father of literary journalism. Skirboll details Defoe’s early life, including how he ended up in prison and how that influenced his writing of Moll Flanders and gave him credibility as an interviewer. As the targets of Defoe’s journalistic endeavors, the burglar Jack Sheppard caught the romantic attention of the public during a manhunt for him, while Jonathan Wild, the veritable inventor of organized crime, fell from having the underworld of London (and sometimes the establishment) in the palm of his hand to swinging from the gallows. In the course of his storytelling, Skirboll also covers the early history of publishing, runs through the grisly details of the English justice system of the early 18th century, and details how brutish life could be for the average person of the time. A rollicking romp through London’s underbelly, Skirboll’s rich, multilayered account reveals the birth of society’s fascination with criminals.

    • Kirkus

      July 15, 2014
      How the beginnings of true crime reporting and the birth of tabloid journalism can be tagged to Daniel Defoe's years in prison for libelous sedition.Generally eschewing troublesome political writing after his imprisonment, Defoe instead investigated and wrote about the lower orders, providing Skirboll (The Pittsburgh Cocaine Seven: How a Ragtag Group of Fans Took the Fall for Major League Baseball, 2010) with wonderful resources for this story of criminal Jonathan Wild (1682-1725) and escape artist Jack Sheppard (1702-1724). Wild learned the fine art of thievery while serving in debtors prison, and he learned it so well that he became the man thieves turned to for advice. It wasn't long before Wild incorporated and set up his "Lost Property Office" advertising and selling stolen items back to their owners. Thieves who didn't bring their goods to him, like Sheppard, were "apprehended" and often hanged, with Wild taking the reward; thus his title of "Thief-Taker." Eventually, he broke up London's largest gangs and had hundreds of thieves on his own list. Skirboll shows the lives and trials of Londoners from all classes. In the 18th century, the city had no official police department, and it was up to the victim to initiate the prosecution of wrongdoers. Defendants often received no counsel, and they also had to worry about the straw men, professional perjurers and unpunished crime. Though this is not a Defoe biography, his background and career producing pamphlets and newspapers are vital. "His writing propelled journalism into the future and gave us," writes the author, "the celebrity criminal, the gossip column, investigative reporting, tabloid journalism, and the true crime drama." His exclusive interviews of felons in Newgate and other London prisons truly changed the face of journalism.The daring cleverness of both Wild and Sheppard makes for fun historical reading.

      COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      Starred review from September 1, 2014

      Jonathan Wild, a real-life ringleader of thieves in 18th-century London, might make you laugh--not from amusement but rather incredulity at his audacious exploits. His London was a lawless one as he reigned during a time when an organized police force was considered to be an expensive and repressive nuisance. Using his influence to extort, bribe, and occasionally inform on his colleagues, Wild became a successful and powerful force both in the underworld and society circles of the time. Skirboll (The Pittsburgh Cocaine Seven) details numerous Hollywoodesque scrapes, chases, and escapes; further proving that truth is far stranger than fiction. The author evocatively portrays a strange and alien land whose indifferent government legislated hundreds of capital crimes, carried out endless executions, and yet was effectively lawless. Skirboll's research led him to British archives and contemporary newspapers, unearthing a fascinating story. He immerses the reader in the period but wears his learning lightly. VERDICT Fans of both fictional and true crime stories will enjoy this fresh, well-written, and captivating page-turner full of fascinating characters engaged in a fast-moving plot.--Michael O. Eshleman, Kings Mills, OH

      Copyright 2014 Library Journal, LLC Used with permission.

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