The Bone Clocks

Starred review from June 2, 2014
Is The Bone Clocks the most ambitious novel ever written, or just the most Mitchell-esque? We begin in the punk years with a teenage Talking Headsâobsessed runaway from Gravesend, England, named Holly Sykes. She becomes a pawn in a spiritual war between the mysterious "Radio People" and the benevolent Horologists, led by the body-shifting immortal Marinus. Many more characters and places soon find themselves worked into Marinus's "Script" across the book's six sections: there's Hugo Lamb, a cunning, amoral Cambridge student spending Christmas 1991 in Switzerland, where he encounters an older Holly tending bar; then it's the height of the Bush/Blair years, and our narrator is Holly's husband, Edmund Brubeck, a war reporter dispatched to Baghdad. Another flash-forward lands us in the present day, where the middling novelist Crispin Hershey weathers a succession of literary feuds, becomes confidante of a New Agey Holly and her daughter, then has his own unsettling encounter with the Radio People. In the penultimate section, Marinus reveals the nature of the Scriptâthe secret conflict lurking just beneath mortal affairsâand how Holly may be the key to a resolution whose repercussions won't be known until 2043, when the aged Holly rides out a curiously sedate end-time in rural Ireland. From gritty realism to far-out fantasy, each section has its own charm and surprises. With its wayward thoughts, chance meetings, and attention to detail, Mitchell's (The Thousand Autumns of Jacob de Zoet) novel is a thing of beauty.

February 1, 2015

Using a variation of the storytelling structure he employed in Cloud Atlas, Mitchell weaves six interrelated first-person narratives into an epic tale that "follows" the character Holly Sykes from 1984 to 2043. Mitchell presents the reader with everyday human experiences that carry the hint--and sometimes more than a hint--of something supernatural affecting the lives of people ("bone clocks") on Earth. Clever, engaging, and often fun (readers of earlier Mitchell works should look for familiar characters), this novel is slightly flawed but eventually successful. The flaw is in the fifth narrative, in which listeners learn about those supernatural beings, immortals ("atemporals") who are waging an epic battle between good and evil; the storytelling here becomes slightly tedious but finds its footing again in the sixth and final narrative. VERDICT Although this type of story structure can be difficult to follow in audio form, the use of six readers--Jessica Ball, Leon Williams, Colin Mace, Steven Crossley, Laurel Lefkow, and Anna Bentinck--helps listeners find their way through this sweeping and ultimately extremely satisfying tale. ["Quite a lot of book and not for easy-reading fans, but it's brilliant," read the starred review of the Random hc, LJ Xpress Reviews, 10/10/14; an LJ Top Ten Best Book of 2014.]--Wendy Galgan, St. Francis Coll., Brooklyn

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