Though her memory remains clouded by sorcery, Imrhien (heroine of THE ILL-MADE MUTE) must take vital news to the King-Emperor of Caermelor, hoping also to find there the fearless ranger who has won her heart. She assumes the identity of 'Rohain', a noblewoman visiting from the distant Sorrow Isles, but finds the King and his rangers heading off to battle the Unseelie hordes. Meanwhile, awaiting their return, the newcomer must survive in a court where treachery and deceit are as deadly as any eldritch peril. Worse still, attacks by nightmare monsters of the Wild Hunt grow ever more frequent and brutal, and when evil forces lay siege to the royal sanctuary on a hidden mystic island, she realizes with horror that she herself is the real target of these onslaughts -- but has no idea why.
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Creators
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Awards
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Release date
March 20, 2007 -
Formats
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OverDrive Listen audiobook
- File size: 546473 KB
- Duration: 18:58:29
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Languages
- English
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Reviews
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AudioFile Magazine
Kris Faulkner narrates THE LADY OF SORROWS with full values and attention to detail. With warmth and a staccato rhythm, he summarizes Book One before slipping into Book Two, in which he depicts heroine Imrhien's urgent journey to the King-Emperor of Erith to tell him of the hidden riches she has discovered. With adept pacing and crisp diction he matches voice and mood to the character of Imrhien, whose voice and facial scars have healed but whose memory is not yet recovered. Faulkner's vivid portrayals of medieval times, replete with sorcerers, monsters, nightmares, and Storm Riders, capture the fantasy to make it believable. Faulkner's versatile vocal range, fast pace, and emotional pitch deliver a complex plot that will leave the listener eager for the final audiobook. G.D.W. (c) AudioFile 2008, Portland, Maine -
Publisher's Weekly
April 1, 2002
In this second book of the Bitterbynde trilogy (after 2001's The Ill-Made Mute), Dart-Thornton clarifies a number of the first volume's mysteries and with a defter hand sets the story moving briskly through the medieval-like landscape of Erith. Imrhien has been cured of her muteness and her facial disfigurement, but she hasn't yet overcome the amnesia that also plagued her in book one. Deciding she must tell the King-Emperor of Erith about the treasure she has found, Imrhien makes her way to court and by sheer good luck—though her restored beauty is also a big help—catches the ear of a faithful minister of the king who believes her story about hidden riches. After a period of indulging in court life, Imrhien feels the pull to once again travel and try to discover why she can't remember her past. A series of adventures leads to revelations about part of Imrhien's past—and yet these same revelations also point to more paradoxes, setting the stage for the final volume. Often second books in fantasy trilogies just trudge along. In this case, the author has peppered the plot with folklore and tall tales that lend plenty of interest, even if they have little to do with the immediate quest. Hopefully, Dart-Thornton will pattern the concluding volume in the series on the second and not the first. While the jacket art depicting courtiers against a castle backdrop will help to draw historical romance readers, it gives no hint that the novel is full of mythical creatures and fair folk sure to appeal to fantasy fans.
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